Na Prasówkę Ciekawostka

FITEHUA 2007

Melatonin Og Cipralex

A new approach ... Dropwise

Every action has a consequence ... an effect.

Since the inception of our characters and the development of scripts for each of the works (works of collective creation) has been difficult to understand the group process and has been easy to distinguish and separate us from the bureaucratic political world.

Our vision began to grow from the particular to the general. Before, our performances were based only on representing any character, any situation in particular, and the evolution was to empower the group as he had to go other places. The Andean always been present at every stage work. Implied violence, as in "Woman, SCARS IN MEMORY, THE FOOL OF PELLET WATER-DROP DEPLETING AUGUA sold out", and even in "Look Both HUANCAVELICA" is this ... and this is by continuing violence that we live. School violence, violence communicational called trash TV, domestic violence, alcoholism and drug abuse, gangs, mafia and corruption. All these agents have been performing many actions as responses: Clear, with a mystical Andean touch.

Thus the image work, or collective images have become quasi-experimental stage shields that protect us and we difenrencian of other work ... (At least I see it)
Mysticism is always mysterious and can not claim that this or that action has helped us to relate and form a unity, as it is very complex, on the contrary, There are many actions that alienate us, we appliances, which make us see that every day we are separate and perhaps even disconnected.

Another aspect that might have helped us to identify is that each of us looking for a personal goal and personal goal is that collective. Outside each serving a particular function. As we say in technical terms: The whole and its parts form the unit.

And what most strengthens the group is that everyone has a personal conviction with the company, a phone that can not leave unnoticed. And we feed when we are under construction in each scene.

Yovan Sánchez (Bear), Yudi Nicol Castro, Roger Gutierrez (Chute), Gabriela Garcia, Elvira de la Cruz, Miguel Angel Castro (mono), Carlos Mayhua (Calin), Moises Vilchez (moiche), Edwin De la Cruz (sweet potato ), Antonia Sedano, Katerine Osorio, Olivia Martinez, all of you have created or river a great and beautiful river, as would Javier Heraud :

"... a river / river / crystal in the morning. / Sometimes I / tender and kind. / I slip softly / by fertile valleys, / I drink / thousands of times to livestock, people docile. / me Children close of day / night and trembling love / support their eyes on mine, / and plunge their arms / in the dark light / ghost of my waters. "

" I do not want victory or death,

not desire the defeat nor life,

just want the tree and its shadow,

life with his death "

becomes what one is. That's all.

Long live the art C. ..!

Do Tv Remotes Use Infrared Leds?

water is exhausted

A WORLD WITHOUT WATER?

the exploitation of man by man INCREASES. THE WAR IS IMMINENT. FAITH, HOPE, CHARITY, AND LOVE ARE CREATING AN UNCERTAIN WORLD UNKNOWN, DESERT, COOL AND CONTAMINATED ...

WHAT WE DO TO PREVENT THIS DISASTER ...?

THINKING IS NOT ENOUGH ... ACTION NEEDED URGENT ...

Brazilian Wax Arkward

FITEHUA2008

Hello friend, this is the portal of fitehua 2008 invite you to participate and witness a new era in Peruvian theater ... where scenic and exchange experiences share living spaces for two days ... This event will take place on 01 and November 2, 2008, in the city of Huancavelica ... the technical data presented is very simple:

Jr.Huaytará No 315

http://www.hi5.com/friend/processBrowseSearch.do?searchText=chaupimayo @ hotmail.com

THE TECHNICAL DATA TO INCLUDE:

1 .-
PART OF THE WORK GROUP 2 .- NAME OF AUTHOR

3 .- 4 .- PARTICIPANTS
ID No. 5 .- 6 .-
ARGUMENT LENGTH GRIP

7 .- 8 .- conclude IMPORTANT PICTURES / (OPTIONAL VIDEO)
WE WAIT ...

Sharp Pain In Breasts At 39 Weeks

love you so

The staging of 'Huancavelica love you so' astonished and delighted population wizard, because it has a direct and sensilla THE FOLKLORE huancavelicano issuing a clear message. It is true that our culture alive is being crippled by the collective indifference. The native style of Chaupimayo does see it's a documentary theater, and spectacular novo where images catch the viewer and put it in a critical.
The creation of the Andean world, the conquest, the attachment to the native qachuas represented in the work of the miner and the relationship with Mr. Muki yu owner of mines in the Andes, the bull and its four quarters Pukllay A bull becomes kichkamachu and pastors of January 6 in a crush, the colossal Negroes Side Mariarosa open field flirtatious and seductive (Caporal-Waqrasenqa) intoxicate us with a sailor, to go to tell how born a dancer of scissors next to Apu Wamani Tayta with a latamacho kiskilloso. Everything becomes a big party that is interrupted by two men deliberately in black who murder the Caporal, the Taita Wamani Apu, the dancer of scissors, and Kichkamachu ... There is a deep silence, thoughtful ... These bodies come to life on the ground looking for their bodies in a game near and distant voices saying, 'Do not kill the song, do not kill the music, do not kill the dance, art, singing, I mates'-and culminating in a cry: - Do not kill the culture!

"Huancavelica tequiero both" a clear Altarpiece huancavelicano live. where the customs manifest in a natural state.

Collective Creation

Length: 45 MIN.

Direccion: W. Alder V YAURICASA ERASTEGUI

ACTUAN: Yudi

Nicol HUAMANI

CASTRO MIGUEL ANGEL CASTRO

HUAMANI / Katerine Osorio TRUCIOS

SULLCA Elvira DE LA CRUZ / Olivia Martinez DE LA CRUZ

Antonia SEDANO CCANTO / MILDRET Gonzales ANCCASI

EDWIN RIVERA DE LA CRUZ / CARLOS ALBERTO MENDOZA Mayhue

AND MANUEL ... THE scissors dancers "Potocchi"