Wednesday, November 19, 2008
Melatonin Og Cipralex
A new approach ... Dropwise
Since the inception of our characters and the development of scripts for each of the works (works of collective creation) has been difficult to understand the group process and has been easy to distinguish and separate us from the bureaucratic political world.
Our vision began to grow from the particular to the general. Before, our performances were based only on representing any character, any situation in particular, and the evolution was to empower the group as he had to go other places. The Andean always been present at every stage work. Implied violence, as in "Woman, SCARS IN MEMORY, THE FOOL OF PELLET WATER-DROP DEPLETING AUGUA sold out", and even in "Look Both HUANCAVELICA" is this ... and this is by continuing violence that we live. School violence, violence communicational called trash TV, domestic violence, alcoholism and drug abuse, gangs, mafia and corruption. All these agents have been performing many actions as responses: Clear, with a mystical Andean touch.
Thus the image work, or collective images have become quasi-experimental stage shields that protect us and we difenrencian of other work ... (At least I see it)
Mysticism is always mysterious and can not claim that this or that action has helped us to relate and form a unity, as it is very complex, on the contrary, There are many actions that alienate us, we appliances, which make us see that every day we are separate and perhaps even disconnected.
Mysticism is always mysterious and can not claim that this or that action has helped us to relate and form a unity, as it is very complex, on the contrary, There are many actions that alienate us, we appliances, which make us see that every day we are separate and perhaps even disconnected.
Another aspect that might have helped us to identify is that each of us looking for a personal goal and personal goal is that collective. Outside each serving a particular function. As we say in technical terms: The whole and its parts form the unit.
And what most strengthens the group is that everyone has a personal conviction with the company, a phone that can not leave unnoticed. And we feed when we are under construction in each scene.
Yovan Sánchez (Bear), Yudi Nicol Castro, Roger Gutierrez (Chute), Gabriela Garcia, Elvira de la Cruz, Miguel Angel Castro (mono), Carlos Mayhua (Calin), Moises Vilchez (moiche), Edwin De la Cruz (sweet potato ), Antonia Sedano, Katerine Osorio, Olivia Martinez, all of you have created or river a great and beautiful river, as would Javier Heraud :
"... a river / river / crystal in the morning. / Sometimes I / tender and kind. / I slip softly / by fertile valleys, / I drink / thousands of times to livestock, people docile. / me Children close of day / night and trembling love / support their eyes on mine, / and plunge their arms / in the dark light / ghost of my waters. "
" I do not want victory or death,
not desire the defeat nor life,
just want the tree and its shadow,
life with his death "
becomes what one is. That's all.
Long live the art C. ..!
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