Makeup Forever Vs Smashbox

ladies on the stage. XXXI Almagro classic theater





















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Ladies on the stage: classic theater XXXI, Almagro, 1, 2 and 3 July 2008 , careful editing by Philip B. Pedraza Jiménez, Rafael González Cañal and Almudena García González, Cuenca, Ediciones de la Universidad de Castilla-La Mancha, 2009.

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The real fake

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- VICTOR DIXON (Trinity College, Dublin)

"An actor prepares: a Golden Age comic to a text (The dog in the manger )"

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The true (Women in the theater)

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-ALICIA SANCHEZ (Actress)

"An actress at the theater classic"

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-CARMEN SANZ Ayane (Real Academia de la Historia, Universidad Complutense)

"Success and credit functions of the herd of an actress at the Golden Theatre Company"

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-TERESA FERRER (University of Valencia)

"Women on the stage in the seventeenth century: from actress to author "

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RAPOSO

-SAEZ FRANCISCO (University of Valencia)

" Cases of comic couples in the English Baroque theater "

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I faked (the protagonists of the drama)

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"Melchior ROMANS (University of Buenos Aires)

"From tears to laughter: ways to construct the female characters in the comedy golden "

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-Rosa Navarro Durán (Universidad de Barcelona)

" Ladies do not unbecoming to her name "

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-GUILLERMO

beings (Universidad Autonoma de Barcelona)

"Love and Women in Golden Age theater"

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-PURPLE

VARELA ALVAREZ (Universidad de Salamanca)

"Women in the theater of Cervantes. A critique of the feminist issue in the theater "

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OSCAR GARCIA-FERNANDEZ (Universidad de León)

"Woman seeking man : mythological and legendary characters in Lope de Vega and Rojas Zorrilla"

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VILLARINO

-EDITH MARTA (Universidad Nacional de Mar del Plata)

"The masks in The vega of Parnassus"

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GRACIELA FIADINO

-ELSA (University of Mar del Plata)

"The ratio lady / maid in two comedies de Rojas Zorrilla"

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BATH URBAN-Alba (University of Barcelona)

"Ladies and ladies"

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The woman on stage: three perspectives

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PRESOTTO FRAMEWORK (University of Venice)

"Lope and feminine role: a perspective"

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DOLFI

-LAURA (University Parma)

"Women Tirso de Molina: Trickster wit"

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INDURAIN

-CARLOS MATA (gray-University of Navarra)

"Women in comedy mocking the Golden Age"

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. Talks

. GEMMA

-GOMEZ RUBIO (Universidad de La Rioja)

Chronicle on not offend white hands " (National Company Classical Theatre)

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Chronicle on The efforts of a house "(National Coordination Mexican company Teatro)

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Books scene

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- MERCEDES DE LOS REYES PEÑA (Universidad de Sevilla)

Stefanel Ganassa Mascot and Zan. Scenari e zibaldoni polls italiani di Spagna del Cinquecento nella

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DOMÉNECH

-FERNANDO RICO (Royal School of Dramatic Art)

Publications

RESAD

. MAR

ZUBIETA (National Classical Theatre Company)

Publications National Classical Theatre Company

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-JESUS \u200b\u200bGONZALEZ MASTER (University of Vigo)

The drama of "La Celestina"

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-FELIPE B. Pedraza Jiménez (Universidad de Castilla-La Mancha)

War and Peace in the English comedy

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Dark Purple Extensions With Dark Brown Hair

VERSES AND TRACE

Presentation Verses and traces a personal tour by the English comedy of César Oliva.

Advertisement For Church Anniversary

Commedia dell'arte

THE MEETING OF Zanni

De Daniel Tapia and Miguel Angel Batista

Company Reymala

Adriano address Iurissevich

Released on OCTOBER 9 TACORONTE (Tenerife)

La Commedia dell

art, also called "Commedia all'improviso," "Commedia degli attori" or "Commedia degli Zanni" is an Italian genre of mask, who was born in the village square and there we relate the most hilarious stories of love and deceit.
The Zanni (servant of the play) was a way of naming all the players, so the meeting zanni evokes the touring companies of actors, from a time past, but with a theme of this and may well expose the essence of this genre.
The Meeting of the Zanni is a comedy in a particular style of work, which rescues conflicts universal classical dramaturgy, to rebuild and transform them into contemporary conflicts.

The company

. Dissemination

Scenic born with the intention of becoming a distribution company and production of stage shows to disseminate the performing arts, encouraging the public taste for the quality of the proposals offered. Among the works carried out educational workshops, theater projects, events and entertainment, has developed its own label theater today is consolidated with the name of REYMALA.

SHEET
• Authors: DANIEL TAPIA Y MIGUEL ANGEL BATISTA
• Director: ADRIANO IURISSEVICH
• Starring: Lorena Matute, Lioba HERRERA, JOSE CARLOS CAMPOS, MIGUEL ANGEL BATISTA AND DANIEL TAPIA
• Sets: JAVIER MURCIA
• Clothing: MARGARITA RUESGA
• Skins: CAROLINA MUÑOZ
• Music: ESTER Ropón dramaturgical
• Advice: JOSE ANTONIO RAMOS
• Edge: MERCEDES GERMAN
• Production: REYMALA (DIFFUSION STAGE)
• Distribution: SAMUEL GARCIA
• Pedagogical team: M ª DOLORES AND JOSE ALBERTO TAPIA Maria

Información extraída del dossier de prensa creado por Daniel Tapia Alberto.

Más información en:

http://www.difusionescenica.com/

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