Trojan Boats For Sale

Riobamba is the capital of the province of Chimborazo. From the city, it is possible organize excursions to the surrounding mountains. In Riobamba, which has a strong English influence, one encounters indigenous people, mestizos, and a minority of whites.

Mothers 'concepts' and Maldonado school are interesting places to visit. The history of this city bears the fact that it is the connection point between the coast and the mountains. In 1830, when Ecuador seceded from Gran Colombia, the city of Riobamba was elected to sign the First Constitution of the new republic. Gran Colombia was the dream of Simon Bolivar, a group of nations that broke free from the English: What is now Colombia, Venezuela, Bolivia and Ecuador. Simón Bolívar wrote his poem highlights in the city of Riobamba, Chimborazo inspired by "My Delirium on Chimborazo."

The importance of Riobamba in the last centuries is great for the presence of the train station, the main transportation at this time. Today, the train is no longer a major means of transport, but it is a unique tourist attraction. From Riobamba station, the train leaves the most impressive railway route through the "Avenue of the Volcanoes", ending up in the "Devil's Nose." Ecuador Railways are located at Avenida Daniel Leon Borja s / n Carabobo corner, the phones are: 593 03 2961 038 0 593 03 2967 316. As of December 2010 is not available the route by train to Devil's Nose, the rail car only works up to Palmyra.

The city of Riobamba is located in the center of the country. Traveling in the American, is 232km 183km of Quito and Guayaquil in the northeast.

in parishes and villages there are many things to see and do on the road to Guaranda this Salinas, a town with an important dairy industry. To see more destinations near Riobamba, click here.

Chimborazo is the highest mountain in Ecuador to 6310 meters above sea level, and its flad of two shelters located. Carrel hut, at 4800 meters, is easily accessible by road ballast. From there you can reach the Whymper refuge in an hour. The refuge serves as a base for climbers who want to crown the summit of Chimborazo.

More photos of Chimborazo, Riobamba in our gallery.

Virtuallyjenna Username

Masks and identity play in the Spanish Theatre of the Golden

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Teatro Principal de Burgos / 4 to May 7, 2010

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Tuesday, May 4
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10:15 h. Keynote Borque
José María Díez (Universidad Complutense de Madrid)
"The costume and other strategies for the success of the comedy"

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.
.
.

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11:00 h. Communications
ROOM 1: The paths to New Comedy
Chair: Alessandro
Cassol.
Miguel García-Bermejo (Universidad de Salamanca)
"costume, mask and identity in the sixteenth century theater"
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-Urani Carlos Montiel (The University of Western Ontario. Canada)
"'is placed in page': Dress and occasion Deceivers Lope de Rueda"
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ROOM 2: Tirso and others
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Rosa M ª Álvarez Sellers (University of Valencia)
"Princes of passion disguised and strategies: Duardos Don Gil Vicente, gardener Prince Velez de Guevara and Tamar's Revenge by Tirso de Molina "
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Naima Lamari (Université de Picardie Jules Verne)
" Of the fathers in masks the theater of Tirso de Molina "
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12: oo pm Papers: Masks and funny
Chair: Javier Rubiera
. Madroñal
Abraham (CSIC)
" Origins of the mask of John Rana (From the phlegm But the Cosme Hernández Pérez) "
.
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18:00 pm Paper: Agustín Moreto and Lope de Vega
Chair: Rosa Navarro Durán
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Héctor Brioso (Universidad de Alcalá)
"The costumes in the comedy honorable Knight Augustine Moreto"
. Delia
Gavela (Universidad de La Rioja)
"Works do lineage, or the force of blood, hidden identities in the production Lopes"
. Francisco Sáez
Raposo (CSIC)
"The apparent identity as a ground of argument in theater Moreto"
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Wednesday, May 5
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9:30 pm Paper: Lope de Vega and Rojas Zorrilla
Chair: Bernard J. García
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Maria Teresa Cattaneo (Università degli Studi di Milano)
"The change of identity in the theatrical play of Lope"
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Rosa Navarro Durán (University of Barcelona)
"The mess is served, equivocal comedy Rojas Zorrilla"
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11:00 h. Communications:
ROOM 1: Moreto


Chair Judith Farr. Ruth Sánchez
Imizcoz (The University of the South, Sewanee)
"The carnival masks and fool with the truth in The disdain with disdain Augustine Moreto"
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Tania de Miguel (West Virginia University)
"Augustine Historical Dances Moreto"
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ROOM 2: Lope de Vega
Chair: Miguel Zugasti
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Minni Sawhney (University of Delhi)
"Fantasy and subversion Valencia's widow and Pedro Carbonero of Lope de Vega"
. Roberta
Alviti (Università degli Studi di Roma "La Sapienza")
"The Dominie Lucas : costume and identity play an early comedy by Lope de Vega"
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Debora Vaccari (Università degli Studi di Roma "La Sapienza")
"Mask was my folly, / my moves I ended up: the masks in the theater of the first Lope"
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12:30 h. Paper: Dress and
party. Bernardo J.
García (Universidad Complutense de Madrid-Fundación Carlos de Antwerp)
"Masks in the locker room of representation (1561-1621): herds of comedians, contracting parties and holiday accessories"
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Judith Farré (CSIC)
"What I spurn 's streets, / rich galas, pastiempos : masks and costumes in celebration of New Spain"
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16:30 h. Paper: Francisco de Rojas Zorrilla and others
Chair: Abraham Madroñal
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Francisco Florit (Universidad de Murcia)
"Changes of identity in two comedies de Rojas Zorrilla"
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Carlos Mata (Universidad de Navarra)
"masks and costumes in the comedy burlesque"
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18:00 h. Papers: Agustín Moreto
Chair: Francisco Domínguez Matito
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Esther Borrego (Universidad Complutense de Madrid)

"Entanglement and identity play in comedies Moreto Saints of Augustine"

. Sofia

Cantalapiedra (Universitat de Barcelona)

"identity Games The Dio Aeneas so Knight of Sacramento "

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20:30 h. Teatro Principal. R epresentation of Knight Olmedo, Lope de Vega. Corsair Company.

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Thursday, May 6

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9:30 pm Paper: Moreto and Ames Look

Chair: Pierre Civil

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Javier Rubiera (Université de Montréal. Canada)

"'Let me look who I am': mask and feigned madness in The lawyer Glass of Moreto"

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Valle Ojeda (Università Ca 'Foscari di Venezia)

"From crazy hood and other entanglements. More on the representation of madness in the comedy See"

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11: 00 h. Communications.
ROOM 1: Calderón and others
Chair: Maria Luisa Tobar
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Wolfram Aichinger (Universität Wien)
"Mask and Taboo: The Return of the dead, the face of the numinous and the desire to be among brothers in works of Lope de Vega, Tirso de Molina and Calderón
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Anna Benvenuti (Università degli Studi di Milano)
"'How there with masks all madams go': masks and costumes in the theater of Andrés de Claramonte"
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Maria Caamaño (Universidade da Coruña)
"Mask and gender in the theater of Calderon"
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ROOM 2: Rojas Zorrilla
Chair: Rosa Maria Alvarez Sellers
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Teresa Julio (University of Vic)
"Behind the mask, the role of hidden character in the drama of Rojas Zorrilla"
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Alberto Gutiérrez Gil (Universidad de Castilla-La Mancha)
"Games and concealment of identity in First is the honor that taste "
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12:15 h. Presentation of new books
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12:30 h. Paper: Moreto and others
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Chair: Diego Simini
. Hector
Urzaiz (Universidad de Valladolid)
"The impunity of the mask: the carnival of Barcelona in Moreto, Calderón and other playwrights'
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Juan Matas (University of León)
"Masks and identity play in the comedy written together in the Golden Age "










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16:30 h. Paper: Dress and Identity conflicts
Chair: Juan Matas Caballero
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Marcella Trambaioli (Università del Piemonte Orientale 'Amedeo Avogadro')
"The Garden faked in comedy between the pastoral and comedy costume Rustic
. Matito
Francisco Domínguez (Universidad de La Rioja)
" The reason for the conflict identity in shaping the grotesque character "
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18:00 h. Paper: Calderón and others
Chair: Francisco Florit
. Germain
Vega García-Luengo (Universidad de Valladolid)
Identities bartered in Calderón "
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Zugasti Miguel (Universidad de Navarra)
"Ladies and gallants in trouble: the night, the mask, the garden"
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Friday, May 7
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9:30 pm Paper: Comedy, written in collaboration
Chair: Rafael González Cañal (University of Castilla-La Mancha)
. Oana Andreia
Sambrian-Toma (Romanian Academy. Craiova)
"Two in one: gaming identity Prince prodigious and defender of the faith de Matos and Moreto"
. Cassol
Alessandro (Università degli Studi di Milano)
"Dimitri The multiple identities, false claimant Russian, The Grand Duke of Muscovy and Lope pursued Prince of Belmonte, Moreto and Martinez"
.
.
11:00 h. Communications: Plays of several authors
Chair: Miguel Zugasti
. Bathrooms Urban
Alba (University of Barcelona)
"identity Games comedies female authorship"
. Flavia
Gherardi (Universita degli Studi di Napoli "Federico II")
"'Cause I'm not what I show': disguised, shawls and exchanges of identity in Isabela The firmness of Luis de Gongora"
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M. Reina Ruiz (University of Arkansas)
"Masks and Masks: Effectiveness theatrical and identity play in the theater aureus (Feliciana Enríquez and Calderon)
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.
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12:45 h. Closing Conference: Civil Pierre
(Sorbonne Nouvelle. Paris III)
"The Mask Theatre and iconography"
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Pokemon Heart Gold Us Anti Freeze Patch Rom

N º 1 of "Hispania Felix"

.

Hispania Felix

English-Romanian Journal

culture and civilization of the Golden

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Lope de Vega in its Golden

Philip B. Pedraza and Oana Andrei Sambrian Takes (Eds.)

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Editorial Academy of Hispanics

2010. Presentation

.

Portico for a new magazine of Hispanic

Philip B.

Pedraza Jiménez. Paint

customs of the age: Felix Hispania, the first English-Romanian magazine the Golden

Oana Andreia Sambrian "Take

.

. Summaries

.

Authors, institutions, titles, abstracts and keywords of articles published

.

. Dialogues

. Support

Finally, I wrote . The fate of the Golden Age drama: an interview with Germain Vega García-Luengos

Oana Andreia Sambrian "Take

.

.

Studies.

"Patronage and painting in Lope de Vega, Lope and Apelles"

Antonio Sánchez Jiménez

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"Lope de Vega's Letters: A Commentary on Love and Sexuality againts the Backdrop of Post-Tridentine Spain "Maria del Pilar

Chouza-Calo

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" On the dubious attribution to Lope de Catorce two romances in the passion of our Lord Jesus Christ "Manuel Pérez Martínez

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" phallocentric and sublimation seminal in the shadow of the novel of captives: Guzman Bravo of Lope de Vega "

Pardo de Neyra

Xulio

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"The images of the sun and moon in Diana's fortunes "

Fernando Rodriguez

Mansilla.

" Monteses Castelvines and in light of the New Art of Making comedies"

Teresa July.

"The New Art of Making comedies ' Through the Looking Glass': The burlesque comedy Golden Age" José María Casado

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Ex libris ancient

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Alfonso, CHACON, Belli Utriusque History Dacici a Traiano Caesare Gestió , Ex Typographie Iacobi Mascardi, 1616 (Oana Andreia Sambrian-Shot)

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With fresh ink

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RUBIERA

Javier FERNANDEZ, To understand the comic artifice. Terence, Donato-Evancio and translation of Pedro Simón Abril (1577) (Felipe B. Pedraza Jiménez)

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Félix Lope de Vega, Comedies. Part VII . Enrico di Pastena Coordination (Fernando Rodríguez Mansilla)

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Félix Lope de Vega, Arte nuevo make comedies at this time , Multilingual Edition: Castilian, Italian, Portuguese, French, English, German and Polish (Oana Andreia Sambrian-Shot)

. Ana Maria

Porteiro Chouciño, who comes from the mountain Mount burning, Lope de Vega. Critical edition and study (Pedro Conde Parrado)

. Philip B.

PEDRAZA, Lope de Vega. Life and literature / Lope de Vega. Passions, work and wealth of the "monster of nature" (Elena E. Marcello)

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Xavier Tubau, A literary controversy: Lope de Vega and Diego Colmenares (Elena E. Marcello)

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Xavier Tubau (ed.), "Not yet left the pen. "Studies on the theater of Lope de Vega (Javier García Rodríguez)

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Felipe B. Pedraza Jiménez, Lope de Vega, Genio (Navas Angel Rodriguez)

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Fasuta Antonucci (ed.), Metrics and dramatic structure in the theater of Lope de Vega (María Luisa Lobato)

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Carmen MARCHANTE MORALEJO, Translations, adaptations, comedies scenari of Lope de Vega in Italy in the seventeenth century (Elena E. Marcello)

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Felipe B. PEDRAZA, Almudena García González (eds.), The Comedy of saints . Proceedings of International Symposium Almagro, 1.2 and 3 December 2006 (Alba Urban)

. Frederick A.

ARMS, Luciano García Lorenzo, Enrique García Santo-Thomas (eds.), Towards the tragedy golden. Readings for a new millennium (Felipe B. Pedraza Jiménez)

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Luciano García Lorenzo (ed.), The maid in the English theater of the Golden (Alba Urban)

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Félix Lope de Vega, The finzione Veritas / The real fake. A cure di Maria Teresa Cattaneo, traduzione di Marco Vecchia (Felipe B. Pedraza Jiménez)

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. Theatre

academic.

International Conference "The New Art of Making plays in a European context." Almagro 28,29 and 30 January 2009 (José María Casado)

. Craiova

welcomes the establishment of the new art of making comedies of Lope de Vega (Sáez Francisco Raposo)

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Pisania komedii Nowa sztuka w dzisiejszych czasach (1609-2009) ... Poles and other events (Felipe B. Pedraza Jiménez)

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The New Art of Making and comedy scene. Days XXXII Almagro Classical Theatre (Teresa July)

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International Conference "400 years of the New Art of Making comedies of Lope de Vega, Olmedo 20-23 July 2009 (Oana Andreia Sambrian-Shot)

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Norme per lo spettacolo / Norme per spettatore it. Theory and practice of drama around the "New Art", Florence, 19-24 October 2009 (Oana Andreia Sambrian-Shot)

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Coda.

As this first issue of Hispania

Felix.

On the process of receiving and evaluating articles for Felix Hispania

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original presentation standards

. Call

II

publisher Felix Hispania

.

.

How To Unlock The Casehard

XXVII Theatre Workshop of the Golden Almagro Almeria

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April 15, Thursday

. Parade

19:00, "Doubt Theatre

Address: Cañizares Paco

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April 16, Friday
.
10:00 h. Official Opening Lecture.
Tribute to Julia and Emilio Gutiérrez Caba.
Laudatio : D. Andrés Peláez (Director of the National Theatre Museum)
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11:30 h. "A puppeteer Golden Age: The puppets in the comedy theater"
D. Francisco Cornejo (Universidad de Sevilla)
Chair and Moderator: D. Antonio Serrano
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12: 45 pm "Because women and removal / delivery of a baby born at the end . The (in) fidelity in female authorship comedy"
Bathrooms Ms. Alba Urbano (Univ. of Barcelona)
Chair and Moderator: D. Angel Garcia Gomez (Univ. College London)
.
13: 30 h. Presentation of projects and publications.
Chair and Moderator: Diego Simini (Univ. of Salento)
.
17:00 h. "A comic, a family and many scenarios" Talks
Ms Julia and D. Emilio Gutiérrez Caba with D. Andrés Peláez.
.

.
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18:15 h. Symposium on the devil Slave Sighting Ames.
D. Jesus Caballero (Director of the Company Real Machine)
Chair and Moderator: D. Manuel Canseco (Theatre Director)
.
19:30 pm " and hors d'oeuvres / loas become . Speaking of short plays by Antonio de Solis"
Ms Judith Farr (CSIC)
Chair and Moderator: Hermann Vega (Universidad de Valladolid)
.
22:00 h. Representation 'meeting Zanni on several classic texts. (Apollo Theatre)
Reymala Theatre Company.
Address: Iurissevich Adriano.
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.
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April 17, Saturday
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10:00 h. "The Baltasara: from theater to holiness"
Ms Almudena García González (Universidad de Castilla-La Mancha)
"Lope de Vega and the dance drama"
D. Francisco Sáez Raposo (CSIC)
Chair and Moderator: D. Fernando García-Lara (Universidad Pablo de Olavide de Sevilla)

.

.

...

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12:00 h. "The classics: from now or yesterday?"

D. Ernesto Caballero (playwright and theater director)

Chair and Moderator: D. John Ruess (architect and designer)

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..
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12:45 h. Colloquium on The meeting Zanni.
with members of the Company: Miguel Batista, Daniel Tapia and Lorena Matute.
Chair and Moderator: Gabriel Garbisu (Actor and Theatre Director)
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.
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17: 00 h. Round table "The Classical Theatre in education plans"
Speakers:
D. Javier Mateo (ESAD de Murcia and Theatre Director) Ms Ascension
Rodríguez (Almería Art School)
Chair and Moderator: D. Emilio Hernández (Theatre Director)
.
19:00 pm The Patrañuela
directed and performed by Ana Garcia-Castilian.
.
22:00 h. Representation of Blacks , Simon Aguado (Auditorio Maestro Padilla).
Co-production of Axiom Theatre Company and the Centro Andaluz de Teatro.
Address: Carlos Gongora.
.
.
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April 18, Sunday
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11:00 h. Presentation of research projects.
.
12:00 h. Symposium on Blacks.
D. Carlos Góngora (Director of show)
Chair and Moderator: Ms Teresa Julio (University of Vic)
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13: 00 pm Closing of the Conference.
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