Faishon Tv Midnight Hot With Out Cloth

Refugio del Pichincha volcano Mitad del Mundo Ethnographic Museum and Chimborazo Riobamba


Inside the monument to the Equator out a Museum Ethnographic museum thanks to the contributions of the Central Bank of Ecuador and for the benefit of the thousands of national and foreign tourists who visit every year.

The museum consists of nine levels, ground floor and a balcony. The tour starts on the ground floor, where it shows an overview of the human, geographic and economic life, as well as the different countries in the world that are crossed by the equator. In a room

presents a sample of the varied flora and fauna of the Galapagos Islands Region through dioramas. In another, there is an electrical panel with map and pictures which describe the location geographical each ethnic group in Ecuador.
After the visit of the ground floor, visitors are directed by an elevator to the lookout, where you can see the hill Cate-keel with 3,632 meters. Behind him on a clear day you can see the snowcapped Cayambe to 5,790 meters. Both elevations also crossed by the Equator. On top of the Cate-keel found a circular ceremonial structure, formerly used by the Pre-Incas as a temple of worship to the moon.

Then, visitors descend into the monument, the ninth level representing the Coast: with Chachi and Afro-Esmeralda; in the eighth level with the staging of a beach and Fisherman Cholo canoe, and Tsátchilas montubios Santo Domingo de los Colorados.

Continuing decline in the Museum exhibits Chota blacks with other members of traditional communities in the province of Imbabura: Otavaleños, Zuleta, Natabuela, etc.

In the sixth level space for the Pichincha Province customs and traditions of rural areas. Then on stage appear Cotopaxi and Tungurahua groups with Chibuleo Salasacas and engaged in farming and handicrafts. Down to the fourth level, greater space for the indigenous population, the province of Chimborazo. Also observed customs and festivities of the Province of Bolivar. In the third level exhibits and crafts tradition of the inhabitants of the provinces of Canar, Azuay and Loja.

The second level is for the indigenous nations of the East as Cofan, Quichua, Siona-Sequoia and Huaorani. The sample on this site offers large-format photographs of these ethnic groups in the Ecuadorian rainforest. At the first level seen at the homes of mythical warriors Shuar and Achuar.

More pictures of the museum in our gallery

Small White Particles I N Urine

New bibliographic

Funny Acrostics Description

International Congress 400 years of 'New Art of Making comedies' of Lope de Vega

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XIV Congress of the International Association of Theatre and New Spain English Golden Age (AITENSO)

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[Olmedo, 20-23 July 2009 ]

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Photo of Alberto Gutiérrez Gil

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Monday, July 20, 2009

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10:00 h. Communications :

ROOM B Chair: Javier Rubiera

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Philippe Meunier (University Jean Monnet of Saint-Etienne), "Ladies do not unbecoming name: status of socio-dramatic poetry of the lady and her questioning the New Comedy"

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Urban Alba (Univ. Barcelona): "Playwrights and actors in his plays:" Ladies, that detract from its name? "

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Elizabeth Rouan (Univ. Provence, Aix-Marseille 1): "From how to confess the desire or disprove when the ladies of his name"

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ROOM C Chair: Joseph Pagnotta

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Lamari Naiman (Univ. Picardie Jules Verne), "Images of biblical fathers in some comedies of Tirso de Molina"

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Lilian S. Silva (Inst. Federal Education, Science and Technology of Sao Paulo): "The desire for fame of Don Juan Tenorio in The Trickster of Seville"

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Javier Fernández Ortega (Universidad Autonoma de Madrid): "The last two representations of Prudent wife of Tirso de Molina"

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. ROOM D

Chair: Héctor Brioso

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Trambaioli Marcella (Univ. Piemonte Orientale): "Lope de Vega to the tragicommedia of Giovan Battista Guarini"

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Vaiopoulos Katerina (Univ. Florence): "Upon receiving the new Art in Italy: the time unit in a letter Pompeo Sarnelli"

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Isabel González Muñoz (IES Bormujos Los Alamos, Sevilla): "Following the trail of the playwright Lope García Marcos Merchant

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11:30 h. ROOM A: Welcome by the authorities and representatives of the Junta de Castilla y León, the City of Olmedo, the SECC, the University of Valladolid and

AITENSO

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12:00 h. ROOM A: Inaugural Conference

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Francisco Rico (Universidad Autonoma de Barcelona. Royal English Academy): "Since and foot in the stirrup or lyric New Art"

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13:00 h. ROOM B: Presentation of projects

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Carmen Jiménez Sanz (Casa Museo Lope de Vega): "The home of the Phoenix of Wits: The Casa Museo de Lope de Vega, Madrid"

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Alejandro García Reidy : bibliographic Dictionary English classical theater actors , Kassel, Reichenberger, 2008.

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M ª Luisa Lobato : Comedy Moreto Augustine, Kassel, Reichenberger, 2008.

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17:00 h. Communications :

ROOM B Chair: Philippe Meunier

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José Roso Díaz (Univ. Extremadura): "Lope triumphant or confirmed Poetics: The Art new comedies in its time (1598-1610) "

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Jose Maria Ferri (Univ. Alicante)," The New Art and the requisite dramatic literary academies of the Century Oro

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Juan Matas (Univ. Leon), "The New Art and comedy co-written in the Golden Age"

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ROOM C Chair: Isla Campbell

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Alfredo Rodríguez López-Vázquez (Univ. La Coruña): " Sevilla star and author of"

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Demattê Claudia (Univ. Trento): "The project An author recovered Madrid: Juan Pérez de Montalbán"

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Erik Coenen (Universidad Complutense de Madrid): "Reconsideration of the dramas of honor"

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. ROOM D

Chair: Judith Farré

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Diego Simini (Univ. Salento): "Make some way figure. Decors in some works of Lope"

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María José Caamaño (Univ. La Coruña): "The sonnet is well in that keep"

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Marx Arriaga (UNAM / Complutense de Madrid): "metameters: software for the rhythmic analysis of texts based versed in literary theory golden"

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18:30 h. Paper :

ROOM A

Alfredo Hermenegildo (Univ. Montreal): "The alteration of history or myth mocked The Knight from Olmedo"

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19:30 pm Paper :

ROOM A

Felipe B. Pedraza (University of Castilla-La Mancha): "Details on the new Art : The Count of Saldaña Academy"

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22:30 theatrical representation: The Valencian Widow of Lope de Vega. Company: Theatres de la Generalitat Valenciana . Address: Vicente S. Genoa.

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What Does A Temperature Of 96.5 Mean

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Tuesday, July 21

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10: 00 h. Communications :

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ROOM B Chair: Claudia Demattê

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Javier Rubiera (Univ, Montreal): "The reception of Terence and the theory of comedy in a time of Lope de Vega"

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Lama Victor (Universidad Complutense de Madrid): "deceiving with the truth, New Art , v.319"

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Pedro Pablo Conde Parrado (Univ. Valladolid): "'Creed has been force ...': Lope and Art for art's sake

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ROOM C Chair: Luciano García Lorenzo

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M. Teresa July (Univ. Vic): "Concessions to taste: Medea's charms on stage"

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Araico Susana Hernández (Univ. California State Polytechnic): "Mockery and satire Medea's charms II: Myth, assembly and monarchy"

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Yaiza Alvarez Brito (University of León), "Cosme Pérez: actor in the tragedy of improper Most executioner?

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. ROOM D

Chair: José Roso

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Nieves Rodríguez (Universidad Autonoma de Mexico): "The sayings in the titles of the plays of the Golden Age: expectations, setting, and creation"

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Adriana Ontiveros (Univ. Autonoma de Mexico): "Funny and lovers to use comedy and swashbuckling claderoniana generation: the possibilities of dramatic decorum "

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Joseph Pagnotta (Univ. Buenos Aires):" The comic resource metric as the Golden Age theater "

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11:30 h . Communications:

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ROOM B

Chair: Aurelio González

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Luciano García Lorenzo (CSIC, Madrid): "New art in new times: Carmen Conde to The Knight from Olmedo"

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Londero Renata (Univ. Udine), "Contemporary Theatre and rewriting aureus: the eat of Sanchis Sinisterra"

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Alvaro Romero Marco (Univ. California, Santa Cruz): "Literary tradition and exile. The case of Lope de Vega in Max Aub"

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ROOM C Chair: Beata Baczynska

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Cassol Alessandro (Univ. Milan): "'New Birds' and a partner. Lope face collaborative writing"

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Maria Teresa Morabito (Univ. Messina), "A Sicilian saint in the English theatrical scene in the Golden Age: Rosambuco The black saint in the city of Palermo of Lope de Vega"

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Grünnagel Christian (Univ. Heidelberg): "The genealogy allegorical monstrous of the new comedy by Lope. A key interpretation in aesthetics "

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ROOM D

Chair: George Peale

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Javier Jacobo González (ESAD Castilla y León): "The reasons for civil censorship The greatest misfortune of Charles , Luis Velez de Guevara "

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Taps Ba (Univ. Cheikh Anta Diop de Dakar): "Friendship, love and compassion in Reign after death of Luis Velez de Guevara"

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Simon Sampedro (CILENGUA): "The value exemplary tyrannical poiesis in The honor revenge more Álvaro Cubillo de Aragón"

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13:00 h. Presentation of projects and books

ROOM B

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Pedro Conde Parrado (Director of Publications Service of the University of Valladolid): Presentation of books from the library Olmedo Classic.

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Mar Zubieta (CNTC): Publications of the National Classical Theatre Company.

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16:30 h. Communications :

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ROOM B Chair: Juan Matas

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Baczynska Beata (Univ. Wroclaw): "The new art of making tragedies ... Lope and Calderon about punishment and revenge"

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Alicia Vara López (Univ. Santigo de Compostela): "The reecritura of Barclay's Argenis by Claderón in Argenis and polyarcs : some notes on the criteria of omission"

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Noelia Iglesias (Univ. Santiago de Compostela): " of the titles to be put to Poetry: three types of securities in the corpus of comedies Calderon "

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ROOM C Chair: Taps Ba

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Juan Miguel Zarandona (Univ. Valladolid): "Merlin, the magician funny: Arthurian motifs and characters in comedy English classical theater chivalry "

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Cienfuegos (Univ. Valladolid): "Love trompero save the women decorum "

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Rubén López Conde (EEHAR-CSIC Roma / Univ. Jaén): "dramatization of the temple, scenic resources and sacred space"

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. ROOM D

Chair: Susana Hernández Araico

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Alejandra Ulla

(Univ. Santiago de Compostela): "The theatrical representation scheme in the seventeenth century: the New Art the court party"

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Carneiro Zaida Vila (Univ. Santiago de Compostela): "Celebration and performances to entertain the prince of Wales

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Carmen Rivero Iglesias (Univ. Oviedo): "Lessing and the New Art of Making plays in eighteenth-century Germany"

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18:00 h. Paper :

ROOM A

Melchora Romans (Univ. Buenos Aires): " The comedy and tragedy mixed . On the ways in which the love of silent comedy precepts"

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19:00 pm Paper :

ROOM A

Maria Grazia Profeti (Univ. Florence): "The New Art and the required theater of the eighteenth century"

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20:30 h. Theatrical : Fuenteovejuna Lope de Vega. Company: Ksec-Act. Address: Kei Jinguji

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Can Circulation Have An Effect On Baby Toe

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Wednesday, July 22

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9:00 am General Assembly

AITENSO .

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11:00 h. Communications :

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ROOM A Chair: Abraham Madroñal

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Isla Campbell (University of Ciudad Juárez), "comedy is a mirror. The ethos of arms on the honor Cruelty Ruiz de Alarcón"

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Serafin González García (Universidad Autónoma Metropolitana Iztapalapa): "The dramatic paradox privileged breasts Ruiz de Alarcón"

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Lillian von der Walde (Universidad Autónoma Metropolitana Iztapalapa): "The anonymous comedy The Segovia Texedora in relation to that of Juan Ruiz de Alarcón: intertextual analysis"

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ROOM B Chair: M. Teresa

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Robin A. Rice (Universidad Popular Autonoma del Estado de Puebla), "Historiography and show in Lope de Vega: The Martyrs of Japan and the New Art of Making comedies"

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Jesus David Jerez-Gómez (Univ. California State San Bernardino) "The maiden Teodor of Lope de Vega as a model of the New Art of Making comedies"

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Sambrian Oana (Romanian Academy, Craiova): "The image of Transylvania in The prodigious Transylvanian prince and king without a kingdom of Lope"

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ROOM C Chair: Alejandra Ulla

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Oscar García Fernández (Univ. Leon): "The presence of Muslims in the theater of Rojas Zorrilla"

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Gemma Gómez Rubio (Universidad de La Rioja): "The comic episodes in the tragic story: the case of Rojas Zorrilla"

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Elisa Dominguez (Univ. Valladolid): "On a loa from Melchor Fernández de León"

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. ROOM D

Chair: Henry W.

Sullivan.

Francisco Raposo Sáez (Universidad Autonoma de Barcelona): "Issues censorial in Part VI of Lope de Vega: The Case of The battle of honor"

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Cepeda Patricia Marín (Univ. Valladolid): "New documents for the biography of Thomas Gracian Dantisco, censor books and plays of Lope de Vega"

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Urbón Cristina Ruiz (Univ. Valladolid): "Disputes censorial in late 1689: Tassis vs Vera Sagredo Lanini in approvals of the manuscripts of three golden comedies ( The phantom lover Calderon, trust in God alone and rosette to The first church of Christ of Arboreda) "

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12:30 h. Communications :

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ROOM A Chair: Oana Sambrian

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Aurelio González (Colegio de Mexico), "contrasting female characters in comedies of Lope de Vega"

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Lola González Martínez (Univ. Lleida): "The reason for the woman in man in light of the New Art of Making comedies. About La Serrana de la Vera "

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Natalia Fernández (Universidad Autonoma de Barcelona): "Usually the guise manly much please. The holy transvestites of hagiography in the new comedy"

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ROOM B Chair: Lillian von der Walde

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Henry W. Sullivan (Tulane Univ) "A New Art lost: De Oratore (1637) of R. Roots"

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María Luisa Lobato (Univ. Burgos) " profanum vulgus Odi et Arceo : Lope De Horacio through Seneca

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Andrés Muñoz (Diputación de Valladolid): "From Aristotle to New Art . Two strategies for receiving dramatic "

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ROOM C Chair: Richard Serrano

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Julio Alonso Asenjo (Univ. Valencia), "The Design Colloquium represented in Santiago de Chile and the imprint of Sor Juana Inés"

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Octavio Rivera (Universidad Veracruzana), "Around Colloquium new conversion and baptism of the last four kings of Tlaxcala in New Spain "

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Amalia House Iniesta (Univ. Buenos Aires):" Power and multiculturalism in the Andes Quechua through two dramas: Ollantay and Tragedy of Atahualpa din "

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ROOM D Chair: Jules Whicker

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Herrán Emma (Univ. Poitiers): "The theme of the Flight into Egypt in the Golden Age theater"

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M ª José Sánchez Casado Santos (Univ. Castilla-La Mancha): "Rewriting the Trojan War in the seventeenth century theater"

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Palacios Miriam Larrosa (Univ. Estadual Paulista), "Analysis of some aspects of The bravest coward in light of the theory Lopes"

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16:30 h. Communications :

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ROOM A Chair: Serafin Gonzalez

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Leonor Fernández (Universidad Autonoma de Mexico): · Structure dual metric counterpoint La dama boba de Lope de Vega "

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Rosa M ª Álvarez Selleres ( Univ Valencia): "Arrange verses carefully: metrics and female speech in the tragedy of honor"

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Ana M ª Porteiro (Univ. La Coruña): "The importance of metrical structure in the construction and meaning of Pastoral de Jacinto of Lope de Vega"

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ROOM B Chair: Marella Trambaioli

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Ricardo Castells (Univ. Florida International): "What I admire nor terrifies : the role of Eleanor in doctor Your honor "

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Mochón Montserrat (SUNY, Albany):" The quixotic heroine The Women's Josef Calderon "

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José I. Barrio Olano (Univ. James Madison): "The myth of the goddess Diana and the semantic field in Lope, Calderón and Moreto"

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ROOM C Chair: Lola González

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Jules Whicker (Univ. Birmingham): "The pastoral baroque and its role in two tragicomedies: The Winter's Tale Shakespeare and The Labyrinth of Crete of Lope"

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Ryjik Veronika (Franklin & Marshall College) "Lope de Vega: the Russian poet of the people ...?"

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Cantalapiedra Sofia (Univ. Barcelona), "Menendez Pelayo, from Lope de Vega and Calderon"

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. ROOM D

Chair: Alfredo Rodríguez López-Vázquez

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Pianacci Romulus (National University of Mar de Plata and the Centre National University of Buenos Aires province), "reworking of myth and New Art ... in firmer Husband "

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Nicolas (University of Pau and Pays de l'Adour): "Lope de Vega and confusing factory of Comedy"

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Judith Farré Vidal (CSIC): "Gala of grace in the early urban comedies of Lope de Vega"

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18:00 h. Communications :

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ROOM A Chair: Delia

Gavela

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Maria Ortega (Univ. Burgos): "Of men and women jealous industries: Lope Moreto (developing a theme Cervantes)"

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Tania de Miguel (Univ. West Virginia): "The free will can not be Augustine of Moreto"

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Elena Di Pinto (Univ. Burgos): "The art of consolidation as Moreto (II): The highest possible Lope de Vega vs. can not be of Moreto"

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ROOM B Chair: Francisco Raposo

Sáez.

Marta González Miranda (Univ. Vigo): "Meditations in polñiticas How to be private Quvedo of"

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M ª Luisa Tobar (Univ. Messina): "A grotesque parody of The Knight of Olmedo: new farce The Knight of Olmedo bullfighter Sebastian Vazquez"

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ROOM C Chair: Robin A. Rice

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Mercedes Cobos (Univ. Sevilla): "A round with the attribution to Lope de Vega Rosary Devotion"

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Roberta Alviti (Univ. Roma La Sapienza): "The martyr of Madrid : a case of mistaken attribution / partial"

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Roquain Alexandre (Univ. Maine): "Study of temporality in two swashbuckling comedy by Lope de Vega: The sleepless night and Night of San Juan "

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. ROOM D

Chair: María José Caamaño

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Akihiro Yano (Ksec-Act): "The staging of Fuenteovejuna by the theater company in Japan KSEC-ACT"

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Adilla Sergio Rufo (CSIC): "Life is a Dream and the repertoire of Calderon on the contemporary scene"

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19:00 pm Paper

ROOM A

Evangelina Rodríguez Cuadros (Univ. Valencia): "Ortega and the two theaters: around New Art "

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20: 00 h. Roundtable :

ROOM A

Coordinator: Luciano García Lorenzo (CSIC, Madrid)

"Lost, adapt, represent the classic Basque Eduardo (Director of the CNTC) Helena Pepper (Director Ur Theatre), Fernando Urdiales (Director of Theatre Corsair)

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Will Dog Hair Grow Back From A Cut

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Thursday, July 23

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10:00 h. Communications :

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ROOM B Chair: Julio Alonso Asenjo

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Ivana Krpar (Univ. Zagreb): "Cultural Semiotics of the Golden Age: The New Art of dramatizing the life

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M ª Luisa Rodriguez Castro (Universidad Autonoma de Mexico): "The debunking of Comendador in Source Ovejuna and Peribáñez and the Commander of Ocaña "

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Juan Udaondo (Univ. La Coruña):" History and epic comedy by Lope: The Bastard Mudarra "

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ROOM C Chair: Héctor Urzaiz

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Ricardo Deza Serrano (Univ. Québec à Trois-Rivières) "The bastard Mudarra as a testbed for a definition of tragedy"

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Violeta Romero Barranco (Univ. Huelva): "Around the golden tragedy: the generic classification of the unfortunate Stephen "

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Florence D'Artois (Casa de Velázquez): "Theory and practice of tragedy in Lope: poetry, rhetoric or topical?

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. ROOM D

Chair: Alessandro

Cassol.

Lillian Camacho Morfin (Univ. Autonoma de Mexico): " The New Art of Making comedies in The Great Sultana de Cervantes"

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Reina M ª Ruiz (Univ. Arkansas): "Cervantes, Góngora and Feliciana Enríquez d Guzman discordant voices of the monarchy comic"

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Francisco Alberola (ESAD de Murcia): " Pique without hate ... or the art of making love comedies of Lope"

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11:30 h. Communications :

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ROOM B Chair: José Luis Suárez

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George Peale (California State Univ, Fullerton): "Lope, Lorca, The Knight of Olmedo pofundas and structures of modern tragedy"

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Arturo Ricardo Troncoso (Universidad Católica de Temuco): " Lady Lope silly and theatrical aesthetics Lorca "

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Wolfram Aichinger (Univ. Vienna):" Dark and black mask day . night scenes Valencian Widow and its association with popular rituals "

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ROOM C Chair: Margaret R.

Greer.

Carmelo Caballero Fernández-Rufete (Univ. Valladolid): "Calderón the divine "

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Fernando Pérez Ruano : "Music, song and dance in the baroque theater around New Art of Making comedies"

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Alain Bègue (Univ. Poitiers): "Theatre of poets in the time of the novatores (1675-1725)"

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ROOM D

Principal: Roberta Alviti

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David Rodríguez-Solás (Queens College, University of New York City): "The Phoenix national author: English Action and the tercentenary of 1935"

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Susana Gil-Albarellos (Univ. Valladolid): "Rewriting and cinematographic manipulations of Lope de Vega"

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Francisca Sánchez-Pinilla (IES Clot del Moro, Sagunto): "Lope de Vega kids: literary adaptations in the early decades of the twentieth century"

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13: 00 pm Presentation of projects and books

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Isla Campbell (University of Ciudad Juárez): Project Edition Complete Dramatic Works of Juan Ruiz de Alarcón "

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Margaret Greer (Duke Univ): The" Hands Theatre "

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George Peale (Univ . California State, Fullerton): Works by Luis Velez de Guevara (No. 29)

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17:00 pm Communications :

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ROOM B

Chair: Alain Bègue

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Margaret R. Greer (Duke Univ) "Why move the issues of honor? Lope and neurology"

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Marta Albalá Pelegrín (Queens College, University of New York City): "That were also, as now, several : the meanings of comedy at the New Art "

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Alejandro García Reidy (Duke Univ): "The 'commodification' of the baroque comedy: from stabilizing the market and legislative normativisation"

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ROOM C Chair: M ª Luisa Lobato

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Héctor Brioso (Univ. Alcalá), "Metric analysis of The Comedy of the conquest of Jerusalem by Godfrey of Bouillon "Miguel de Cervantes?"

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Gavela Delia (Univ. La Rioja): "Augustine Moreto and art to renew comedies Bible, fiction and history in some works of Madrid"

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Elizabeth Trevino (Monterrey Tech / Univ. Autónoma de Barcelona): "Reflections on the influence of New Art in the prose of María de Zayas"

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. ROOM D

Chair: M ª Luisa Tobar

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Goyzueta Ximena Gómez (Universidad Autónoma Metropolitana Iztapalapa): "The ideal reader of La Dorotea , action in prose: the Prologue to Theatre, Don Francisco Lopez Aguilar"

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Country Ana Isabel Hoyos (Univ. Valladolid): "The dialogue in the dramatic discourse La Dorotea (1632)"

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M ª Ángeles Fernández Cifuentes (University of North Florida): "Lope narrator figure of grace as the genesis of the novels Marcia Leonarda"

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18:30 h. Paper :

ROOM A

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César Oliva (Universidad de Murcia), Antoni Tordera (University of Valencia): "The New Art scenarios to comedies"

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20:30 h. representation Cosme's Dream Perez . Company: Classic Festivals. Address: Ascension Rodriguez.

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