Tuesday, June 8, 2010

Can Circulation Have An Effect On Baby Toe



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Wednesday, July 22
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9:00 am General Assembly
AITENSO .
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11:00 h. Communications :
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ROOM A Chair: Abraham Madroñal
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Isla Campbell (University of Ciudad Juárez), "comedy is a mirror. The ethos of arms on the honor Cruelty Ruiz de Alarcón"
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Serafin González García (Universidad Autónoma Metropolitana Iztapalapa): "The dramatic paradox privileged breasts Ruiz de Alarcón"
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Lillian von der Walde (Universidad Autónoma Metropolitana Iztapalapa): "The anonymous comedy The Segovia Texedora in relation to that of Juan Ruiz de Alarcón: intertextual analysis"
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ROOM B Chair: M. Teresa
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Robin A. Rice (Universidad Popular Autonoma del Estado de Puebla), "Historiography and show in Lope de Vega: The Martyrs of Japan and the New Art of Making comedies"
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Jesus David Jerez-Gómez (Univ. California State San Bernardino) "The maiden Teodor of Lope de Vega as a model of the New Art of Making comedies"
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Sambrian Oana (Romanian Academy, Craiova): "The image of Transylvania in The prodigious Transylvanian prince and king without a kingdom of Lope"
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ROOM C Chair: Alejandra Ulla
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Oscar García Fernández (Univ. Leon): "The presence of Muslims in the theater of Rojas Zorrilla"
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Gemma Gómez Rubio (Universidad de La Rioja): "The comic episodes in the tragic story: the case of Rojas Zorrilla"
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Elisa Dominguez (Univ. Valladolid): "On a loa from Melchor Fernández de León"
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. ROOM D

Chair: Henry W.
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Francisco Raposo Sáez (Universidad Autonoma de Barcelona): "Issues censorial in Part VI of Lope de Vega: The Case of The battle of honor"
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Cepeda Patricia Marín (Univ. Valladolid): "New documents for the biography of Thomas Gracian Dantisco, censor books and plays of Lope de Vega"
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Urbón Cristina Ruiz (Univ. Valladolid): "Disputes censorial in late 1689: Tassis vs Vera Sagredo Lanini in approvals of the manuscripts of three golden comedies ( The phantom lover Calderon, trust in God alone and rosette to The first church of Christ of Arboreda) "
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12:30 h. Communications :
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ROOM A Chair: Oana Sambrian
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Aurelio González (Colegio de Mexico), "contrasting female characters in comedies of Lope de Vega"
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Lola González Martínez (Univ. Lleida): "The reason for the woman in man in light of the New Art of Making comedies. About La Serrana de la Vera "
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Natalia Fernández (Universidad Autonoma de Barcelona): "Usually the guise manly much please. The holy transvestites of hagiography in the new comedy"
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ROOM B Chair: Lillian von der Walde
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Henry W. Sullivan (Tulane Univ) "A New Art lost: De Oratore (1637) of R. Roots"
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María Luisa Lobato (Univ. Burgos) " profanum vulgus Odi et Arceo : Lope De Horacio through Seneca
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Andrés Muñoz (Diputación de Valladolid): "From Aristotle to New Art . Two strategies for receiving dramatic "
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ROOM C Chair: Richard Serrano
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Julio Alonso Asenjo (Univ. Valencia), "The Design Colloquium represented in Santiago de Chile and the imprint of Sor Juana Inés"
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Octavio Rivera (Universidad Veracruzana), "Around Colloquium new conversion and baptism of the last four kings of Tlaxcala in New Spain "
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Amalia House Iniesta (Univ. Buenos Aires):" Power and multiculturalism in the Andes Quechua through two dramas: Ollantay and Tragedy of Atahualpa din "










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ROOM D Chair: Jules Whicker
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Herrán Emma (Univ. Poitiers): "The theme of the Flight into Egypt in the Golden Age theater"
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M ª José Sánchez Casado Santos (Univ. Castilla-La Mancha): "Rewriting the Trojan War in the seventeenth century theater"
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Palacios Miriam Larrosa (Univ. Estadual Paulista), "Analysis of some aspects of The bravest coward in light of the theory Lopes"
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16:30 h. Communications :
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ROOM A Chair: Serafin Gonzalez
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Leonor Fernández (Universidad Autonoma de Mexico): · Structure dual metric counterpoint La dama boba de Lope de Vega "
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Rosa M ª Álvarez Selleres ( Univ Valencia): "Arrange verses carefully: metrics and female speech in the tragedy of honor"
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Ana M ª Porteiro (Univ. La Coruña): "The importance of metrical structure in the construction and meaning of Pastoral de Jacinto of Lope de Vega"
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ROOM B Chair: Marella Trambaioli
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Ricardo Castells (Univ. Florida International): "What I admire nor terrifies : the role of Eleanor in doctor Your honor "
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Mochón Montserrat (SUNY, Albany):" The quixotic heroine The Women's Josef Calderon "
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José I. Barrio Olano (Univ. James Madison): "The myth of the goddess Diana and the semantic field in Lope, Calderón and Moreto"
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ROOM C Chair: Lola González
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Jules Whicker (Univ. Birmingham): "The pastoral baroque and its role in two tragicomedies: The Winter's Tale Shakespeare and The Labyrinth of Crete of Lope"
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Ryjik Veronika (Franklin & Marshall College) "Lope de Vega: the Russian poet of the people ...?"
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Cantalapiedra Sofia (Univ. Barcelona), "Menendez Pelayo, from Lope de Vega and Calderon"
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. ROOM D
Chair: Alfredo Rodríguez López-Vázquez
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Pianacci Romulus (National University of Mar de Plata and the Centre National University of Buenos Aires province), "reworking of myth and New Art ... in firmer Husband "
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Nicolas (University of Pau and Pays de l'Adour): "Lope de Vega and confusing factory of Comedy"
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Judith Farré Vidal (CSIC): "Gala of grace in the early urban comedies of Lope de Vega"
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18:00 h. Communications :
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ROOM A Chair: Delia
Gavela
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Maria Ortega (Univ. Burgos): "Of men and women jealous industries: Lope Moreto (developing a theme Cervantes)"
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Tania de Miguel (Univ. West Virginia): "The free will can not be Augustine of Moreto"
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Elena Di Pinto (Univ. Burgos): "The art of consolidation as Moreto (II): The highest possible Lope de Vega vs. can not be of Moreto"
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ROOM B Chair: Francisco Raposo
Sáez.
Marta González Miranda (Univ. Vigo): "Meditations in polñiticas How to be private Quvedo of"
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M ª Luisa Tobar (Univ. Messina): "A grotesque parody of The Knight of Olmedo: new farce The Knight of Olmedo bullfighter Sebastian Vazquez"
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ROOM C Chair: Robin A. Rice
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Mercedes Cobos (Univ. Sevilla): "A round with the attribution to Lope de Vega Rosary Devotion"
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Roberta Alviti (Univ. Roma La Sapienza): "The martyr of Madrid : a case of mistaken attribution / partial"
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Roquain Alexandre (Univ. Maine): "Study of temporality in two swashbuckling comedy by Lope de Vega: The sleepless night and Night of San Juan "
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. ROOM D
Chair: María José Caamaño
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Akihiro Yano (Ksec-Act): "The staging of Fuenteovejuna by the theater company in Japan KSEC-ACT"
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Adilla Sergio Rufo (CSIC): "Life is a Dream and the repertoire of Calderon on the contemporary scene"
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19:00 pm Paper
ROOM A
Evangelina Rodríguez Cuadros (Univ. Valencia): "Ortega and the two theaters: around New Art "
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20: 00 h. Roundtable :
ROOM A
Coordinator: Luciano García Lorenzo (CSIC, Madrid)
"Lost, adapt, represent the classic Basque Eduardo (Director of the CNTC) Helena Pepper (Director Ur Theatre), Fernando Urdiales (Director of Theatre Corsair)
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